![]() ![]() In college, I made my first video work, which led to a scholarship in Berlin as a video artist. I didn’t think back then I could be a cinematographer there were no examples in the country. I completed my studies but focused on film history and theory. My favorite movies were shown in film clubs, like ‘Zabriskie Point’, ‘Sweet Movie’, ‘Persona’, or ‘The Clockwork Orange’. I was experimenting with analog black-and-white photography during high school. Hungary had a great tradition and a strong approach to cinematography. At 23 years old, I realized that the time and environment I was born in pushed me in that direction, but my true interest was in photography and cinema. It was logical for me to study economics and become a useful piece in creating that system. In the 90s, the general focus was on creating and starting a business, as my father did. I was born and raised in Budapest, Hungary. We had the chance to speak with her about working on big production shows like ‘Bumper in Berlin’, and what the landscape in the film industry is like for women in typically male-dominated roles like cinematographer.Ĭan you first tell us where your cinema career began, and how you became a cinematographer? There was also a bar scene where a character is talking about his past where Agnesh designed creative transitions to show time passing.Īs a Berlin-based cinematographer, Agnesh is excited to continue using her talents and local expertise on future American projects that film there. This required a rapid change in lighting to depict the transition from a dream performance to an actual nightmare. Other stand out moments include a scene where a romantic theater performance with sweeping camera movements all of a sudden switches to a cold nightmare. They shot this scene in one long 360 shot, and used invisible ramps that were built into the set to get a flying camera effect. ![]() One in particular took place in a Berlin art gallery, where there were hundreds of extras performing intricate choreography. One of the main elements of Agnesh’s work was shooting the over the top musical numbers in the show. Diana Birenyte, Jameela Jamil, Flula Borg and Sarah Hyland also star in the series. In case you aren’t yet familiar (seriously, where have you been?!) the series follows the original movie’s Bumper (Adam Devine) as he moves to Berlin to continue pursuing his music career. Creating the artistic vision for multiple musical numbers is a lot of work, and Berlin-based cinematographer Agnesh Pakozdi, who worked on episodes three and four, is the woman behind some of those big numbers, which we can’t get enough of! If you’re anything like us, you keep going back to the platform to rewatch your fave musical numbers because they were so damn entertaining, giving you a new appreciation for what it takes to film such big productions like this. PITCH PERFECT: BUMPER IN BERLIN - “Backpfeifengesicht” Episode 101 - Pictured: (l-r) Flula Borg as Pieter, Adam Devine as Bumper Allen - (Photo by: Julia Terjung/Peacock)īy now you have most likely already binge-watched every episode of Peacock’s series ‘ Pitch Perfect: Bumper in Berlin‘ series, which premiered November 23rd, 2022. ![]()
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